This is perhaps the very characteristic of the sea: it borders onĭifferent countries and cultures. Piece varies between American swing and European chanson or orchestral While the orchestra is playing the eighth notes evenly. In fact, it is noticeable that the vocals are performed in the swing, Three years before its publication and was considered too little “swing”įor a hit, which is why it remained in the drawer for the time being. Bean’s Holiday (see video above).Īccording to Charles Trenet (1913-2001) La Mer was created Many others: Finding Nemo, The Dreamers (Bernardo Bertolucci) and Mr. It alsoįeatures in the soundtrack of a whole range of motion pictures among Among theĮnglish versions the interpretations by Bobby Darin from the early 60sĪnd George Benson from the 80s are particularly well-known. Original, partly under the title Beyond the Sea. Has also spread into the English-speaking world, partly as the French There are at least 400 different versions. It was published in 1946 and has been interpreted time and again up to L a Mer is one of the most famous pieces by Charles Trenet. Video: Please click on the video icon above! Music and Words by: Charles Trenet / Albert Abraham Lasry Interpreter: Django Reinhardt, Stéphane Grappelli You find a part with the accompaniment rhythm and the chord symbols that may played by guitar or piano (or both). Instrumentation Details: On the original recording a piano is playing. Instruments: Violin (Stéphane Grappelli), guitar (Django Reinhardt), rhythm guitar, double bass In order to compare with the original you also find a part of the vocal of Charles Trenet. Mer" (Charles Trenet) in the interpretation of Django Reinhardt and Stéphane Grappelli, In David's example the G#dim (G#-B-D-F) can be viewed as a substitute for E7 (E-G#-B-D).Short Description: The sheet music is a note-for-note transcription of "La The additional note (in this case Ab) would be the b9 of a G7 Chord, thus the result you hear is a G7b9chord with B in the Bass. You can clearly see that these two chords have three notes in common. Now if you take a diminished chord a half step below the tonic you get a B diminished chord (B-D-F-Ab). In most cases, a diminished chord substitutes a dominant chord.Įxample: in the key of C, the dominant chord that leads to the tonic chord C would be G7 (G-B-D-F). (I also take everything I learn in one key and run it through the rest of the keys - try these chords - (D, D+, G) then (E, E+, A), then G, G+ C etc.) You can hear the chord passing from one to the other very smoothly. Try playing chords C, C7, then F, then the chords C, C+, and F - has a different subtle feel to it.I think augmented means "add", so you're adding to the 5th note by raising it 1/2 step.Ĭaveat - I figured a lot of this out by fooling around, so if I tortured some guitar theory, I apologize in advance.but I think C, C+ then F sounds pretty y it.! 1, 3, and 5), for an augmented chord, C+, it would be C, E, and G#.has kind of a cool sound to it. For example, in C the C major chord is made up of C, E, and G notes (i.e. I'm not as technical as the rest of the guys in the thread, but I think an augmented chord is when you take a major chord (Notes 1, 3, and 5) and "sharp the 5th", so the augmented chord is notes 1, 3, and 5#). (On his Phases and Stages CD, there's a song called "How Will I Know" that you can hear the dim chord very strongly at the beginning of the song - can't miss it.) Listening to Willie years ago is what got me started with the diminished chords. Play xx2323, slide it up to xx5656 and on up to xx8989. (As Brian mentioned, one of the cool things about diminished chords is that they repeat. I called the diminished chord a "G#dim" because of the G# bass note, but it could just as easily be called B, F, or D diminished. This is a very standard jazz progression (often with an Am7 instead of A7 or A9). Here's a two-measure excerpt from Michael Bloomfield's version of "Mop Mop". Similarly, I don't see diminished chords as "passing chords" (if by that you mean as a lower-priority link between two higher-priority chords) - I tend to see them as having their own distinctive sound and musical purpose.ĭespite the examples above, you find them more in jazz tunes and popular music of the earlier part of the 20th century than in folk, blues, rock, modern pop, etc. Like Am7 (ACEG) substituted for C major (CEG). Typically, a substituted chord shares two or more notes with the chord it's substituted for. To try to address your questions, my perception is that diminished chords are not generally used as a substitute for another chord. In rock music, the tune "This Wheel's On Fire" by The Band has several diminished chords in the verse.
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